Adam Cvijanovic (American citizen, born 1959) Erysichthon, oil on Masonite

Praise for Tales from Ovid:

‘A breathtaking book…To compare his versions with the Latin is to be awestruck again and again by the range and ingenuity of his poetic intelligence…He rescues the old gods and goddesses from the classical dictionaries and gives them back their terror. There should be a copy of his book in every school’. John Carey Sunday Times

Taken from Tales from Ovid, 24 Passages from the Metamorphoses, published by Faber and Faber Ltd 1997. Copyright Ted Hughes, 1930 -1998



Some are transformed just once

And live their whole lives after in that shape.

Others have a facility

For changing themselves as they please.


Proteus, who haunts the shadowy seas

That scarf this earth, is glimpsed as a young man

Who becomes of a sudden a lion

That becomes a wild boar ripping the ground,


Yet flows forward, hidden, through grass, without sound

As a serpent, that emerges

As a towering bull under down-bent horns,

Or hides, among stones, a simple stone.


Or stands as a tree alone.

Or liquefies, and collapses, shapeless,

Into water, a pouring river. Sometimes

He is the river’s opposite––fire.


Another with a similar power

Was Erysichthon’s daughter,

The wife of Autolycus. Her father

Gave to the gods nothing but mockery.


Without a qualm he cut down every tree

In the sacred grove of Ceres––

An ancient wood that had never, before that day,

Jumped to the axe’s stroke.


Among those trees

One prodigious oak was all to itself

A tangled forest. Its boughs were bedecked with wreaths

And votive tributes––each for a prayer


Ceres had sometime granted. Dryads there

Danced a holy circle around its bole

Or joined hands to embrace it––

A circumference of twenty paces.


Erysichthon ignores all this as

He assesses the volume of its timber,

Then orders his men to fell it.

Seeing their reluctance, he roars:


“If this tree were your deity, that every clown adores,

And not merely a tree you think she favours,

Nevertheless, those twigs away there at the top

Would have to come down now, as the rest falls.”


He snatches an axe––and hauls

The weight of the broad head up and back.

But in that moment, as the blade hangs

Poised for the first downstroke, shudderings


Swarm through the whole tree, to its outermost twigs

And a groan bursts from the deep grain.

At the same time

Every bough goes grey––every leaf


Whitens, and every acorn whitens.

Then the blade bites and the blood leaps

As from the neck of a great bull when it drops

Under the axe at the altar.


Everybody stares paralysed.

Only one man protests. The Thessalian

Erysichthon turns with eyes stretched

Incredulous. “Your pious cares,” he bellows,


“Are misplaced.” And he follows

That first swing at the oak with another

At the protester’s neck, whose head

Spins through the air and bounces.


Then the oak, as he turns back to it, pronounces,

In a clear voice, these words:

“I live in this tree. I am a nymph,

Beloved by Ceres, the goddess.


“With my last breath, I curse you. As this oak

Falls on the earth, your punishment

Will come down on you with all its weight.

That is my consolation. And your fate.”


Erysichthon ignored her. He just kept going,

Undercutting the huge trunk, till ropes

Brought the whole mass down, jolting the earth,

Devastating the underbrush around it.


All the nymphs of the sacred grove mourned it.

Dressed in black, they came to Ceres,

Crying for the criminal to be punished,

Bewailing the desecration. The goddess listened.


Then the summer farms, the orchards, the vineyards,

The whole flushed, ripening harvest, shivered

As she pondered how to make his death

A parable of her anger.


If his cruelty, greed, arrogance

Had left him a single drop of human feeling

What the goddess did now

Would have drained mankind of its pity.


She condemned him

To Hunger––

But infinite, insatiable Hunger,

The agony of Hunger as a frenzy.


Destiny has separated Hunger

So far from the goddess of abundance

They can never meet; therefore Ceres

Commissioned a mountain spirit, an oread:


“Hear what I say and do not be afraid.

Far away to the north of Scythia

Lies a barren country, leafless, dreadful:

Ice permanent as iron, air that aches.


“A howling land of rocks, gales and snow.

There mad Hunger staggers. Go. Bid Hunger

Take possession of Erysichthon’s belly.

Tell her she has power over all my powers


“To nourish Erysichthon. Let all I pour

Or push down this fool’s gullet only deepen

His emptiness. Go. My dragon-drawn chariot

Will make the terrific journey seem slight.”


The nymph climbed away and her first halt

Was the top of Caucasus.

She soon found Hunger raking with her nails

To bare the root of a tiny rock-wort


Till her teeth could catch and tear it.

In shape and colour her face was a skull, blueish.

Her lips a stretched hole of frayed leather

Over bleeding teeth. Her skin


So glossy and so thin

You could see the internal organs through it.

Her pelvic bone was like a bare bone.

The stump wings of her hip bones splayed open.


As she bowed, her rib-cage swung from her backbone

In a varnish of tissue. Her ankle joints

And her knee joints were huge bulbs, ponderous, grotesque,

On her spindly shanks. The oread


Knew danger when she saw it. She proclaimed

The command of the goddess from a safe distance.

The whole speech only took a minute or so––

Yet a swoon of hunger left her trembling.


She got away fast.

All the way back to Thessaly

She gave the dragons their head.

Now hear me.


Though Hunger lives only in opposition

To Ceres, yet she obeys her. She soars through darkness

Across the earth, to the house of Erysichthon

And bends above the pillow where his face


Snores with open mouth.

Her skeletal embrace goes around him.

Her shrunk mouth clamps over his mouth

And she breathes


Into every channel of his body

A hurricane of starvation.

The job done, she vanishes,

She hurtles away, out of the lands of plenty,


As if sucked back

Into the vacuum––

Deprivation’s hollow territories

That belong to her, and that she belongs to.


Erysichthon snores on––

But in spite of the god of sleep’s efforts

To comfort him, he dreams he sits at a banquet

Where the food tastes of nothing. A nightmare.


He grinds his molars on air, with a dry creaking,

Dreaming that he grinds between his molars

A feast of nothing, food that is like air.

At last he writhes awake in twisting, knotted


Cramps of hunger. His jaws

Seem to have their own life, snapping at air

With uncontrollable eagerness to be biting

Into food and swallowing––like a cat


Staring at a bird out of reach.

His stomach feels like a fist

Gripping and wringing out

The mere idea of food.


He calls for food. Everything edible

Out of the sea and earth. When it comes

Dearth is all he sees where tables bend

Under the spilling plenty. Emptying


Bowls of heaped food, all he craves for

Is bigger bowls heaped higher. Food

For a whole city cannot sate him. Food

For a whole nation leaves him faint with hunger.


As every river on earth

Pours its wealth towards ocean

That is always sweeping for more,

Draining the continents,


And as fire grows hungrier

The more fuel it finds,

So, famished by food,

The gullet of Erysichthon, gulping down


Whatever its diameter can manage

Through every waking moment,

Spares a mouthful

Only to shout for more.


This voracity, this bottomless belly,

As if his throat opened

Into the void of stars,

Engulfed his entire wealth.


His every possession was converted

To what he could devour

Till nothing remained except a daughter.

This only child deserved a better father.


His last chattel, he cashed her in for food.

He sold her, at the market.

But she was far too spirited

To stay as a bought slave.


Stretching her arms towards the sea, she cried:

“You who ravished my maidenhead, save me.”

Neptune knew the voice of his pretty victim

And granted the prayer. Her new owner,


Who minutes ago was admiring the girl he had bought,

Now saw only Neptune’s art––featured

And clothed like a fisherman. Perplexed,

He spoke to this stranger directly.


“You with your fishing tackle, hiding your barbs

In tiny gobbets of bait––may you have good weather

And plenty of silly fish that never notice

The hook till it’s caught them!––can you tell me


“Where is the girl who was here a moment ago?

Her hair loose, and dressed in the cheapest things,

She was standing right here where her footprints––

Look––stop, and go no further. Where is she? ”


The girl guessed what the god had done for her.

She smiled to hear herself asked where she might be.

Then to the man parted from his money:

“I’m sorry, my attention has been fixed


“On the fish in this hole. But I promise you,

By all the help I pray for from Neptune,

Nobody has come along this beach

For quite a while––and certainly no woman.”


The buyer had to believe her. He went off, baffled.

The girl took one step and was back

In her own shape. Next thing,

She was telling her father. And he,


Elated, saw business. After that

On every market he sold her in some new shape.

A trader bought a horse,

Paid for it and found the halter empty


Where a girl sat selling mushrooms.

A costly parrot escaped its purchaser

Into an orchard––where a girl picked figs.

One bought an ox that vanished from its pasture


Where a girl gathered cowslips.

So Erysichthon’s daughter plied her talent

For taking any shape to cheat a buyer––

Straight and crooked alike.


All to feed the famine in her father.

But none of it was enough. Whatever he ate

Maddened and tormented that hunger

To angrier, uglier life. The life


Of a monster no longer a man. And so,

At last, the inevitable.

He began to savage his own limbs.

And there, at a final feast, devoured himself.




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